Britain
became a hotbed of reggae activity throughout the 50's and 60's due to immigration
from Jamaica and the enthusiasm of English fans - including future punks like
the
Clash. Another result was the formation of
several fine roots reggae bands like Steel Pulse, UB40, and
Aswad in
the 70's. As these groups matured and incorporated more non-Jamaican influences
(in effect, making the music their own), they generally got better. Aswad (which
means "black" in Arabic) is no exception. They started out flavoring
their reggae with a large dollop of jazz and funk, but they gradually became
a better seasoned, more classic-sounding group (albeit with a shiny pop veneer),
earning the respect of reggae fans worldwide. Luminaries such as Dennis Brown,
Black Uhuru and Bob Marley would employ Aswad as a backing group when they visited
England.
Aswad was the first British reggae band to be signed to a major label (Island
Records subsidiary Mango). Roots conscious listeners think Aswad reached their
zenith during this period, maturing and developing their own roots-heavy style
over the course of two albums and a series of singles (see Showcase, 1981).
Subsequently, Aswad jumped ship for giant CBS Records, and other fans treasure
the two albums Aswad recorded for label as they struggled to integrate modern
sounds (soul, pop, dancehall) into their music. Mainstream success proved elusive,
however, until Aswad returned to Mango, eventually scoring a #1 British hit in
1989 with "Don't Turn Around." With that song and the accompanying
album, Distant
Thunder, Aswad realized their vision, seamlessly grafting a smooth pop sheen
onto rough-hewn roots reggae.
The
group never again attained such heights - artistically or commercially - and
Aswad commenced label hopping after Too
Wicked (1990). Since the bulk of Aswad's vintage work was recorded for
Mango, Roots
Rocking: The Island Anthology (1997) comes highly recommended. Roots
Rocking is part of Island's superlative, double-disc Anthology series,
which includes magnificent packages from Jamaican heroes Toots & The
Maytals, Black
Uhuru, and Burning
Spear. Certainly, the Aswad installment is less essential than those volumes,
but English reggae doesn't get a lot better than this - excepting, possibly, Steel
Pulse.
Sadly, Roots
Rocking does not cover Aswad's two CBS albums (New
Chapter and Not
Satisfied), but it contains great live versions of a few highlights ("Not
Satisfied, "African Children") as well as non-LP, 12-inch versions
of several Island hits. Mango's Crucial
Tracks, while sketchy, is an economical substitute. Regardless, three
mid-80's albums - New
Chapter (1981), Rebel
Souls (1984), and To
the Top (1986) - are generally considered to be Aswad's best and are
well worth seeking out on their own.
Aswad remains active. They earned a Grammy nomination for 1994's Rise
And Shine, and 1999's Roots
Revival - featuring covers of roots classics - was seen by many as a
major comeback. [top of page]