At
Polydor, the Rhythm Section tightened its sound and began touring relentlessly;
subsequently, their first several releases for the company - Third
Annual Pipe Dream (1974), Dog
Days (1975), and Red
Tape (1976) - accrued the band's first chart action. But with the two albums
that followed, Rock & Roll
Alternative (1977) and Champagne
Jam (1978), ARS began churning out smash singles and became major stars.
Things slumped after that - artistically and commercially - and after a comeback
of sorts (Quinella,
1981) on a new label, the Atlanta Rhythm Section broke up. In the mid-90's, however,
the group reunited and recommenced their stage and recording career.
To collect the Classics IV's numerous hits, I recommend The
Best Of Dennis Yost And The Classics IV (Taragon), originally part of the Legendary
Masters Series issued by EMI in the early 90's. In the alternative,
seek out Atmospherics:
Complete Career Collection 1966-1975, a disc from Australian label Raven
that covers a little more ground. As for the Rhythm Section proper, their best
albums - some of which may prove hard-to-find - are fine examples of a rather
nebulous genre (southern rock/jazz/pop fusion?). Certainly, they are worthwhile
purchases for fans, old or new. Thankfully, UK label Gott
Discs began reissuing the
LP's in 2-on-1 CD format in 2005.
The
Best Of The Atlanta Rhythm Section (Polydor), though, is recommended for
most consumers. It incorporates all but one of ARS' 14 charted hits ("Alien," recorded
for Columbia), including their stylish 1979 update of the Classic IV's "Spooky." Universal's
The
Millennium Collection: The Best of Atlanta Rhythm Section (part of the
label's enormous, generic 20th
Century Masters series) is an acceptable, cheaper, briefer substitute. But,
roughly estimated, another jillion "best of" packages litter the
marketplace, mostly aimed towards the truck-stop, impulse-purchase demographic.
Proceed
with
caution.
The best feature of the Atlanta Rhythm Section's music was the cool, snaky groove
they laid down under their smart pop songs. Sounding as light as air, ARS threw
a lot of weight behind their music, both in terms of professional craftsmanship
and songcraft. But the boys from Doraville could rock, as well. Their mathematically
precise, lightning quick instrumental prowess will surprise fans who know them
only from the handful of hits still played on classic rock or oldies radio. [top of page]