For years,
the fascinating story of Johnny
Ace was a chapter in rock history short on details. Thanks to a couple
of recent developments (James Salem's book The
Late Great Johnny Ace, among them), that is happily no longer the case.
But Johnny Ace is still one of rhythm & blues' unsung heroes, a pioneer
unappreciated outside the rarified world of record collectors and rock critics.
Born John Alexander in Memphis in 1929, Ace was a hep cat out of Memphis with
the leanings of a pop crooner. After serving in the navy, he earned his musical
stripes in 1949 as a member of the Beale Streeters, an influential group that
also spawned B.B. King and Bobby Blue Bland.
His first recordings were some
1951 sessions for Sun Records (never issued and purportedly lost), and a
track singing lead for the Beale Streeters (later
released on Flair). But, by 1953 and 1954 he had
achieved
substantial
success on Duke Records (founded in Memphis but soon moved to Houston). Then,
he blew his
brains
out playing Russian roulette backstage in Houston on Christmas Eve, 1954, just
prior to the dawning of the "rock 'n' roll era." Game over, right?
Not even close. Johnny Ace had already compiled a substantial
chart record, scoring a bevy of Top 10 "race" hits, including two
#1 singles ("My
Song" and "The Clock"). Subsequent to his death, Duke issued
a new single, the mournful "Pledging My Love," which became
a huge hit in 1955. "Pledging My Love" breached the pop Top 20 while
spending an astonishing 10 weeks atop the rhythm
& blues
charts. The song's otherworldly aura gives the spooky impression that Johnny
is, indeed, pledging his love - from beyond the grave!
Soon, Memorial
Album followed, initially issued as a 10-inch EP in 1955, then as a 12-inch
LP in 1957. It was reissued with its present cover in 1962 (mono) and again
in 1974 (stereo). Eventually issued on CD, Memorial
Album is literally the only Johnny Ace album ever issued anywhere.
While his legacy begs for a deluxe, remastered CD of his complete recordings,
Johnny Ace's Memorial
Album contains much of what the singer ever waxed, and it's well worth
the low price. His reputation as a balladeer belies the fact that when he cut
loose ("How Can You Be So Mean"), boy howdy, he could rock. Johnny
Ace's story is one of the most tragic tales in the annals of early rock 'n'
roll, and one can only hope that our continued fascination with him will bring
more sparkle to his star and more recordings to the market.
Postscript. Almost on cue after my 2004 update of
this page, Hip-O Records immediately
produced a "deluxe, remastered" version of Memorial
Album. However, the disc was issued as a limited edition of 5000 available
only through their Hip-O Select website.
Beautifully packaged and pristinely mastered, this edition of Memorial
Album (subtitled "The Complete Duke Recordings") swelled to 20
songs, but did not include the elusive Sun or Flair masters. Nevertheless, highly
recommended - get it while (or if) you can!
Then, another compilation - The
Chronological Johnny Ace: 1951-1954 (2005) - hit the market containing one of the Sun
tracks ("I Cried") and the Flair side ("Midnight Hours Journey").
Much later, Ace's Wild: The Complete Solo Sides And Sessions (2012) added about 30 tracks on which Johnny Ace served as a pianist, including songs by B.B. King and Bobby "Blue" Bland. Cool, but I strongly suspect that these discs crawled out of the "gray
market" created by Europe's looser copyright laws. Over there, sound recording
copyrights expire after 50 years. So, Chronological Johnny Ace and Ace's Wild could conceivably be created not from the original
masters but from the Hip-O CD and other second-hand sources. I can't be sure
(readers?), but caveat emptor. [top of page]