In
the late 60's, hipster movie soundtracks frequently
featured buoyant, trumpet-driven tracks that conveyed
a carefree, yet exotic, quality requisite to the era's
anti-heroes - imagine Lee Marvin in Beatle boots and
Ray Ban sunglasses. Herb
Alpert invented that sound, and he influenced almost
performer outside the realm of rock music during the 1960's.
Alpert began his career behind the scenes, writing
songs (Sam Cooke's "Wonderful World," cowritten
with Lou Adler) and producing other artists (Jan & Dean). And,
in the end, he made his biggest mark behind the scenes
by founding A&M Records with partner Jerry Moss. Still, the lighter-than-air,
Latin-flavored sound (dubbed "Ameriachi" by critics) of Alpert and
his Tijuana Brass has endured, and it will transport any
listener instantly back to the days of mini skirts
and unprotected sex.
To the uninitiated, the Tijuana Brass' song titles
may not ring any bells. But, we all know these melodies. Alpert's repertoire
sounds at times like the easy listening holy grail, and his tunes are embedded
in our collective unconscious. Which is to say, this may be muzak, but it's memorable muzak.
At their very best, Alpert's wordless compositions tell stories. Instrumental
songs like "Spanish Flea" and "The Lonely Bull" paint
picture - pictures more vivid than is possible with mere lyrics. Each beguiling
melody leaves the listener tingling with romance - randy,
languid,
and sweet.
The
TJB recorded bunches of albums throughout the 60's and early 70's, peaking
with 1965's Whipped
Cream & Other Delights (#1 for eight weeks). The pace slowed down as
A&M increasingly became less of a one-horse label (Carole King's Tapestry and
the Carpenters, in particular, made
the imprint a major player), and Alpert's hits all but dried up by the end
of the decade. Musically, he moved from being charmingly naughty to simply
boring - playing what can be politely called "smooth jazz" - by emulating
artists like Chuck Mangione and Gato Barbieri who recorded for his own label.
No matter what, Herb Alpert's story came to a happy conclusion when he and
Moss sold A&M to Polygram in 1990 for a reputed $500 million.
While there's an undeniable period charm to the the old Tijuana Brass Greatest
Hits albums, The
Definitive Hits (2001) is easily the best Alpert compilation ever done
and is highly recommended for most listeners. Very smartly selected, it nails
the very best vintage TJB singles (among many), then it picks up later hits
like "Rise" (1979)
and "Diamonds" (1987). For further listening, the band's
early records, especially The
Lonely Bull (1962) and Whipped
Cream (1965), are each pretty irresistible on their own. Alpert's Christmas
Album (1968) is no slouch, either, though it often veers uncomfortably
close to pure easy listening.
Most of Herb Alpert's extensive catalog was reissued on CD in the initial
rush after the format was invented. By the early 20th century, however, most
albums had fallen out-of-print, and many were fetching hefty prices on the
collector's market. Thankfully, Shout! Factory began reissuing
the classic 60's Tijuana
Brass
catalog in 2005, including the highly sought-after Christmas
Album. The label capped the program off with a rarities album (Lost
Treasures,
2005) and a remix celebration of Whipped
Cream called Rewhipped (2006). [top of page]