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Unlike
many musicians, John
Denver (read more) took Christmas
seriously. His Christmas albums - all four of them - were not afterthoughts.
Records like Rocky
Mountain Christmas (1975) were no bits of fluff to fulfill consumer expectations
or rescue a failing career - or cash in on the annual holiday bonanza. Rather,
Denver's Christmas records (the first two especially) were undertaken during
the prime of his career, and he applied the same earnest standards to them
that he did to the rest of his homespun catalog. Predictably, the results were
similar - warm, cozy records filled with acoustic, folksy pop - and nearly
as successful.
Rocky
Mountain Christmas, in particular, was a smash, nearly reaching the Top
10 on Billboard's pop album chart (rare for a seasonal LP) and earning an
RIAA gold record award - the first Christmas album to ever do so.
At the time, John Denver was riding high on an amazing string of successes:
five Top 10 albums and seven Top 10 singles in just four years, including
seven chart toppers. Denver's career would soon cool considerably, and he
would forever be identified with the granola-munching aspect of the 1970's.
But it's worth remembering that he achieved his success by offering an alternative to
the hedonism and excess of the "Me Decade." Rocky
Mountain Christmas, filled with (mostly) gentle songs of family and faith,
is cut from the very same cloth as Denver's more celebrated records like "Sunshine
On My Shoulders" and "Annie's Song." Certainly, John Denver
can be criticized for his overt sentimentality - he was a greeting card Bob
Dylan - but his style suited the holiday well.
The
two sides of the original Rocky
Mountain Christmas LP were loosely thematic - secular songs on the first
and religious songs on the flip. Frankly, I find the former far more satisfying
than the latter - if only because Denver sounds like he's having more fun picking
on "Rudolph The Red-Nosed Reindeer" than genuflecting through "The
Coventry Carol." It's the original songs, however, lend Rocky
Mountain Christmas its real character. The pastoral and impressionistic "Aspenglow" is
more an ode to Denver's adopted hometown than a Christmas song - in fact, it
never mentions the holiday. Conversely, "A Baby Just Like You" and "Christmas
For Cowboys" (written by Steve Weissberg) are pure Christmas songs and prime
John Denver - lovely and understated, if more than a little maudlin.
And then there's "Please Daddy (Don't Get Drunk This Christmas)," written
by Bill and Taffy Danoff - who earlier had cowritten Denver's 1971 blockbuster, "Take
Me Home Country Roads," and who later perpetrated the Starland Vocal Band
("Afternoon Delight"). Thanks to Denver's straight-faced reading, "Please
Daddy (Don't Get Drunk This Christmas)" stops just shy of outright parody.
Really, it's a hoot - a bona fide country weeper - but it does stick out like
a sore thumb amidst the general tone of reverence.
Incidentally,
all the tracks on Rocky
Mountain Christmas were newly recorded, but two had some history. "Aspenglow" was
recycled from Denver's second album, Take
Me To Tomorrow (1970), while "Please Daddy (Don't Get Drunk This Christmas)
was originally included on Farewell
Andromeda (1973) - a western-themed album where its bawdy lyrics were more
appropriate. In fact, "Please Daddy" was released as a single that year,
denting the Top 100 while reaching #7 on the Christmas charts. "Christmas
For Cowboys," by the way, was the pick-to-click from Rocky
Mountain Christmas, but it stalled at #58 - Denver's first single in three
years to miss the Top 40 and a harbinger of things to come.
RCA's 1998
CD reissue of Rocky
Mountain Christmas is nicely done. In addition to crisp sound and informative
liner notes, it appends two seasonal songs - a solid "White Christmas" (an
outtake from the original sessions) and a brief "Jingle Bells" (from
Denver's third album, Whose
Garden Was This, 1970). Then, for reasons barely explained, the label also
tosses in three altogether non-seasonal, previously-released tracks. More is
better than less, I suppose, but I have to think that the repackaged
2005 reissue (sans the three superfluous tracks) will make for a better listen
- plus they've restored the original, gatefold LP artwork!
By
1979, John Denver had been rendered all but irrelevant by tumultuous changes in
the music business. Very nearly banished from the Top 40, his next holiday album
- A
Christmas Together with the Muppets - reflected his growing stature as a mainstream
entertainer more than his waning rank as a rock star. At the time, in fact, the
Muppets were hotter than Denver! Consequently, though it peaked at #26, A
Christmas Together was one of the singer's best-performing albums since Spirit (1976),
and it marked his last Top 30 album chart entry.
Like Charles Schultz's Peanuts, Jim Henson's Muppets were once an edgy,
hip force in children's entertainment that, as the franchise expanded, grew maudlin
and stodgy. Before that happened, however, the Muppets hosted one of the best comedy
shows ever on television. A
Christmas Together was simply the soundtrack from one episode of their syndicated
series. Split fairly evenly between Muppet hijinks and drippy Denver balladry, A
Christmas Together will appeal primarily to fans of either artist - but probably
not both. On "Have Yourself A Merry Little Christmas," Denver acquits
himself nicely in a duet with Rowlf the Dog, while the Muppets contribute a variety
of amusing yuletide burlesques - especially their all-hands-on-deck deconstruction
of "Twelve Days Of Christmas." Three songs from A
Christmas Together were bound up on a picture sleeve, red vinyl, 7-inch single,
but it failed to chart.
Before
his tragic death in 1997, Denver recorded two more Christmas albums, neither of
which added much to his legacy. Christmas
Like A Lullaby (1990)
prominently features a group composed, in part, of Elvis Presley alumni - pianist
Glen D. Hardin, bassist Jerry Scheff, and guitarist extraordinaire James Burton.
But, the band sounds bored, and Denver's seasoned voice - deeper, more resonant
- reinforces the fact that the wide-eyed idealism of youth doesn't suit a man pushing
50. Take the title song, Denver's sole original composition on the album; it's
a lovely song, but the utopia it lays out simply doesn't exist - and never will
- outside of John Denver's rarified fantasy world. On Rocky
Mountain Christmas - 15 years prior - that hopeful brand of naiveté sounded
charming. On Christmas
Like A Lullaby, it sounds unsophisticated at best, simple-minded at worst.
The rest of the album does little alleviate the situation, consisting mainly of
predictable carols burdened with innocuous, middle-of-the-road arrangements. Even
worse, far too many of the songs are yoked with that most heinous of Christmas
clichés - the children's chorus. And, no less than two tracks (and portions
of a third) were appropriated from Tom Paxton's 1988 album, A
Child's Christmas. No crime there, but certainly it signaled that Denver was
less than fully engaged in his career by this point.
Christmas
In Concert was recorded in 1996 but released in 2001 - four years after Denver
had shuffled off this mortal coil - and it reveals a man reaching a happy rapprochement
with his legacy. After a spirited romp through Tom Paxon's "Marvelous Toy,"
John wonders if kid's these days could relate to such a humble plaything - "they
want Super Nintendo or Tickle Me Elmo." But despite the looming presence
of the National Symphony Orchestra, the World Children's Choir, and a large audience,
the album maintains a humble conviviality. Musically speaking, Christmas
In Concert adds nothing to Denver's Christmas canon, but it's a sentimentally
satisfying listen all the same. Plus, it's fun to hear Denver reminisce about
such favorites as "A Baby Just Like You" (written to order for Frank
Sinatra) and "Please Daddy (Don't Get Drunk This Christmas)," conceived
as a lark, now imbued with deeper meaning.
Consumer Notes. John Denver's first three Christmas
albums have been issued and reissued numerous times. Rocky
Mountain Christmas was
originally reissued in 1990 by RCA in its original format as a 12-song
CD. Later,
RCA reissued it with 5
bonus tracks (1998), then reissued again with 3
bonus tracks (2005) and amended cover art following the Sony/BMG merger.
Until 2006, the readily
available version of A
Christmas Together (on budget label Laserlight) was missing three songs from
the original
CD version (on Denver's label, Windstar), which may cost you roughly ten times
as much thanks to its scarcity...
Much the same can be said for Christmas
Like A Lullaby, which has been reissued in full on CD by Windstar (original
brown cover) and English label Music Club (amended
green cover), and was later trimmed to 10 songs by Laserlight (new
portrait cover).
But, Laserlight reissued both Windstar albums in 2006 as "limited collectors
editions"
with all tracks restored. How special - giving us all the songs that should have
been there in the first place... Anyway, both A
Christmas Together and Christmas
Like A Lullaby are strongly recommended for any Denver fan, so get 'em while
you can.
Finally, do not confuse Rocky
Mountain Christmas or A
Christmas Together with either Rocky
Mountain Holiday (a 1982 TV special starring Denver and the Muppets) or A
Muppet Christmas Carol (soundtrack to the Muppets' 1992 movie sans Denver). [top of page]
Important
Albums
[top of page]
Essential
Songs
- A Baby Just Like You
(1975)
-
Christmas For Cowboys (1975)
-
Christmas Is A-Coming (with the Muppets, 1979)
-
Christmas Like A Lullaby (1990)
-
Have Yourself A Merry Little Christmas (with the Muppets, 1979)
-
Please, Daddy (Don't Get Drunk This Christmas) (1975)
-
Rudolph The Red Nosed Reindeer (1975)
-
Twelve Days Of Christmas (with the Muppets, 1979)
-
We Wish You A Merry Christmas (with the Muppets, 1979)
[top of page]
Further
Listening
[top of page]
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